Apr 18, 2024
Lucas Riso: In the Wildflowers
- By
Blaire Dessent
Lucas Riso: In the Wildflowers
Apr 18, 2024
by
Blaire Dessent
Lucas Riso: In the Wildflowers
Apr 18, 2024
by
Blaire Dessent
Lucas Riso: In the Wildflowers
Apr 18, 2024
- By
Blaire Dessent
Lucas Riso: In the Wildflowers
Apr 18, 2024
- By
Blaire Dessent
sustainability
Lucas Riso: In the Wildflowers
Apr 18, 2024
- By
Blaire Dessent
Lucas Riso
E

ntering into Lucas Riso’s apartment / studio is like being in a fragrant apothecary’s shop, with a touch of mystery and magic. Dried flowers, chilli peppers, palm leaves, herbs and other flora hang from the ceiling in various states of drying, shelves are filled with bunches of flowers, candles, a basket of sage, while wreaths made of twisting branches and leaves line the walls along with the artist’s delicate embroideries showing images of the third eye, mushrooms or flowers, all of which are framed with natural materials such as straw or herbs. You get the sense that Riso loves to be making something and that he could find a small branch or leaf and transform it into something special, and that is the reality. “I always love to be doing something with my hands,” says the Argentinian-born artist. “It is therapeutic, medicinal for me.”

As we enjoy a cup of fennel and cranberry tea and a glass of mint water filled with bright pink bougainvillaea flowers, Riso talks about working as a florist in Buenos Aires, Argentina for 20-years, after studying fine art for 2 years. Ahead of his time, Riso would transform the shop’s vitrine into a wild arrangement of flowers, sculptural and contemporary installations that conveyed that he was a natural creative and that flowers were his medium. He was always inspired by his grandmother, who he referred to as the “bruja de familia” or the family witch, who would make tea infusions with plants and herbs that she cultivated in the house. Her influence would connect with him years later as well, when he moved to Mallorca.

Riso left Argentina and moved to Italy where he lived for one year before coming to Mallorca, somewhat on a whim, in 2019. While he didn’t immediately want to begin working with flowers again, he started doing weddings and events with a florist in 2020, when Covid hit. During the shutdown, he started taking long walks in the Bellver Forest, near where he lived. “Something transformed in me during this time, walking in the forest, I started to see the herbs and plants in a new way, as if I was discovering everything anew… different plants for medicine or for cooking or for objects,’ he explains.

He started making sahumerios, or sage smudges, from his apartment, adding in elements of colour and texture so that they become almost too beautiful to burn. He began selling this at local markets and shops, such as NU Market in Santa Catalina and the Alameda Shop in Sóller, and slowly his business grew and expanded to include bath salts – using salt from Es Trenc, candles housed in coconut shells, wreaths and other natural elements. “I love the concept of ephemerality, that I make things that eventually disappear back into the universe,” he notes.

Riso also offers workshops, many of which are often held in the Bellver Forest. Wreath making or embroidery as well as masks, which he talks about as being a very powerful experience to be with others and see what they create, each person putting into the material what is going on in their minds at that moment, and how the mask reflects a kind of inner power. “It can create a kind of magic”, he says.

For many people, Riso’s art resonates in very personal ways. People contact him through Instagram saying that they need to have a certain piece or ask him to make something for them specially, and relate often very personal experiences and sometimes trauma that they are going through. Riso has become, in a sense, the new family witch, creating things that impart a type of spirituality or magic that people connect with. “I like it when people communicate positive things about how my work has been received by them in certain ways,” he says. There is a therapeutic quality to his work as well as a creative one, which Riso never specifically intended, but now accepts and appreciates this shift in his work. “It makes me happy to do it and it is also an experience for me, when we share experiences and learn from each other”.  

Discover more @luscasrisoarte

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