F
rom an early age, when living in Argentina, Val Castellet enjoyed making ceramics and sculpture and playing with form and shape. While she decided to pursue a career in biology and psychology, she was always making art, mostly doing printmaking, painting and embroidery. “I was always interested in playing with limits,” she says as she describes a series she began making using embroidery techniques on Japanese cotton paper. “I enjoy merging techniques and textures and materials.”
In the early 2000s, she moved to Spain, settling in Mallorca around 13 years ago, and it was at this time, living and working surrounded by nature, that she decided to start working with fibre in her art. “I returned to this interest in volume and form of my childhood, but doing it through weaving and basketry,” she says. She made a series of sisal baskets at a time when no one was pursuing work with natural fibres and materials; It was seen as very rustic, but she knew that this was the way forward. “I have a very strong consciousness and approach of giving materials a second life and I knew I wanted to keep going in this direction.” Whether recycled Mallorca wool bound together by strings, lights made with old textiles, or intricately woven baskets or hanging sculptures, Castellet found her groove with these materials.