Jul 10, 2024
Kenneth Brögger: A Life with Guitars
- By
Blaire Dessent
Kenneth Brögger: A Life with Guitars
Jul 10, 2024
by
Blaire Dessent
Kenneth Brögger: A Life with Guitars
Jul 10, 2024
by
Blaire Dessent
Kenneth Brögger: A Life with Guitars
Jul 10, 2024
- By
Blaire Dessent
Kenneth Brögger: A Life with Guitars
Jul 10, 2024
- By
Blaire Dessent
sustainability
Kenneth Brögger: A Life with Guitars
Jul 10, 2024
- By
Blaire Dessent
Brögger's Fornalutx workshop. Photo: Duncan Kendall
O

n a quiet side street in Fornalutx is the workshop of a classical guitar maker, a luthier, as the traditional term is called, who has been steadily perfecting his art for over 55 years. Born in Denmark, Kenneth Brögger left home as a teen and found himself doing a series of odd-jobs such as postman, milk boy, glass worker’s helper and street musician, among many others, until he wandered into the workshop of Arne Schlünsen, one of Copenhagen’s leading guitar makers, with his friend who needed his guitar fixed, and he fell in love. Brögger writes about the wonderful smell that greeted them in that workshop, a mix of what he later learned was exotic woods like alpine spruce, ebony and mahogany. 

He told Schlünsen that he wanted to become a guitar maker as well and could he help, but, although they would go on to be good friends and colleagues, at the time, he was met with a discouraging comment of how he’d spend $300 to get the materials and probably sell the guitar for $30. Regardless, Brögger said, “I knew I would like to be a guitar maker someday.” It was 1965 and he was 16. Several years later, he eventually apprenticed with Yngve Barslev in Copenhagen, who would be Brögger’s master and a great friend until his death in 1979. Brögger established his first guitar workshop on March 1, 1975.

Binding process after gluing. Photo: Duncan Kendall
Mother of pearl and wood inlay. Photo: Duncan Kendall

In December of 1974, Brögger came to Mallorca with a couple of friends with the idea of visiting a local guitar maker on the island, George Bowdon, and then taking the ferry to Barcelona to buy three guitars. On their way back from Barcelona to Mallorca, they had some extra time and took the wooden train from Palma to Sóller, and then walked for nearly an hour towards the mountains, stopping in a small village for something to eat – Fornalutx. Brögger says, “It’s charm had a powerful effect on me that I’ve – almost literally – dreamed of it every night since.” Though it took another 20-years to come back to the island, from that moment onwards, he continued to visit regularly with his wife, finally finding a house in the village about a decade ago, where he could set up his small workshop. 

Spain has played an important role in Brögger’s career as a classical guitar maker. Granada, in particular, which remains one of the few places where traditional guitar makers continue to have workshops and make a living, including his other guitar master, Antonio Marin Montero, who is aged 90. Brögger visits Montero every year to continue to learn and perfect his craft. 

It takes Brögger 200 hours to make one guitar, each hour a quiet, purposeful moment that mixes repetition and rules with freedom and inventiveness. When he finishes a guitar, he loves to play it to hear how it sounds and how it feels, but he never has the urge to keep one for himself. “I have no difficulties in selling the guitar when it is finished – I believe the future owner will love, use, and develop it. And I will be thinking of the next guitar I will make. I always say to myself: It should be more beautiful and sound even better than the previous one. It is hard work – but I love it,” he explains, revealing his truly passionate and perfectionist artistic side.

It takes Brögger 200 hours to make one guitar, each hour a quiet, purposeful moment that mixes repetition and rules with freedom and inventiveness.
Photo: Duncan Kendall
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